I'm Bad, I'm Bad, You Know It: A Meditation on the State of All Things Michael Jackson

Today I saw a breach in our justice system that I just can't get over.

I know that at approximately 2:15 Pacific time this afternoon, bloggers must have been going nuts. The Jackson child molestation verdict was in: NOT GUILTY. Slam goes the gavel. Well, not really, but we've all watched enough of The Practice to know how it goes. And the nation parted in two -- the believers (who might be seen outside the courtroom with white arm bands) and the disbelievers, who rolled their eyes and changed the channel.

And then there was me. Mouth agape. Criminal behavior had gone unpunished. He wasn't even CHARGED for his biggest offense? And what is that, you might ask?

I want to talk about his last album.

You see, part of me believes that maybe Michael started up this whole stink himself. I mean, no one could *voluntarily* want to spend time with the snide Martin Bashir, could they? Even weirdo Michael? I mean, he could hang out with Liz Taylor or his monkey or just chill and be one with himself in the oxygen tent. No one deserves Martin Bashir, and Michael knows this. Secondly, while he acts like a child, Michael is 46 years old. He knows better- or the people around him do -than to tell a schmoozy journalist that he climbs in bed with children. There is NO WAY that happened accidentally.

So I put my law degree to work. I sat down and I thought long and hard about it. And when the commercial break was over, I know what had happened.

The molestation trial was a stinkbomb. It had to be big. It had to be bad. It had to be newsworthy. Because it had to outstink the Invincible album.

Now I know you're sitting there wondering what I'm talking about. That's exactly the point. The man who put out zillions of Jackson 5 singles, not to mention Thriller, then Bad, then Dangerous made a boo-boo. It came in the form of the Invincible album, the most redeeming quality of said album being a Print Shop-meets-Andy Warhol cover -- collect all five colors. Did you really expect me to be distracted by that, Michael? Mikey had released "Blood on the Dancefloor", a remix album you blinked and missed -- but it was remixes so it doesn't "count" against him.

The "gem" on Invincible, aka. the semi-decent track, was "Rock My World". The fun of that one came more from the beat and the Chris Tucker appearance making fun of Michael ("shamon! SHAMON!") than anything else. In the video, Michael clearly plays second fiddle to Tucker, who I love, but let's be real - his career high point was Rush Hour. Tucker's partner in crime was Jackie Chan, now it's Michael. Not good, MJ, not good. Jackson videos used to feature Naomi Campbell and Michael Jordan. His songs used to co-star Paul McCartney and Stevie Wonder. Now his own sister couldn't even touch the mic.

Rumor has it that MJ asked producer Rodney Jerkins to write him a ton of songs, then only picked a few for the album. Rumor also has it that the leftovers went to Justin Timberlake's debut album. And we all know how that fairy tale went, don't we? I believe I was quoted as saying that "Justin Timberlake has out-Michael Jacksoned Michael Jackson", a statement I stand by.

I've been listening to the album over and over, and I'm distressed. INVINCIBLE sounds like a Jackson impersonator's demo on a Casio keyboard. A decent impersonator, but one who's learned all the tricks - the Michael "ah" and the Michael falsetto, with none of the personal style that had us all glued to our tvs for every award show over the span of 10 years. If it wasn't Michael, I would have arm-wrestled the Tower Records cashier for my money back.

(Side note: I know a girl whose mom's friend sewed MJ's glove. Take a minute with that fun fact.)

"Rock My World", the only salvageable track, was soon remixed with the Justin Timberlake song "Rock Your Body", never to be heard au naturel again. The first three tracks are blameless, but there isn't much to distinguish them from one another. I like them because I wanted so badly to like them. "Butterflies" was covered by someone (Floetry?) and turned out better. 2000 Watts was covered by Tyrese. Not sure how much better he could make it, but hell, he looks good, so who cares? We're left with Michael trying to convince us that he's "Invincible" "Unbreakable" a "Heartbreaker" and "Threatened". He "needs his privacy -- yeah yeah". I liked that one better when it was called "Scream". He even makes a last-ditch effort to offer his perennial children's anthem ("The Lost Children"), which is a rehash of "Heal the World", complete with children's chorus. Who knew when the news said he has a studio at home that they just meant he mics his bed? :)

I'm the last person to hope Michael calls it quits. I've got nothing but love for what he used to be. And I think he should take his time to make the right steps in the right direction. Basically, I just hope he'll stop rushing into things -- including but not limited to the recording studio. Being a Michael Jackson fan is a pain in the arse these days. I don't want to have to defend the allegedly detachable nose. I don't want to have to defend the sleepovers. And I sure as hell shouldn't be defending a Grammy winner's musical abilities. Sheesh, Mike, where can I get *my* cut of your defense fund?!

So there, ladies and gentlemen of the jury, is the real crime. Unpunished, but not forgotten.

Smooth criminal? I don't think so.

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